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周波在新抚区信访局调研并接待来访群众时强调用心用情用力把信访工作做到群众心坎上_我的网站

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一 | Costume designer Smriti Chauhan is one of the creative forces behind Ranveer Singh’s look in Dhurandhar. She says the film’s now-viral bearded avatar was born from months of iterative work, collaboration and a deep integration of costume with hair, makeup, lighting and performance. In an exclusive conversation with Filmfare, Chauhan breaks down the meticulous process, from conceptual sketches to 40-metre salwars and silicon jewellery designed to survive high-octane action. Region, story and technical precisionChauhan reveals that the idea of a full beard was rooted in the character’s geography and cultural background. “We knew there was going to be a beard because of the region he comes from, what he’s performing and who he is,” she says. The hair and makeup team played a decisive role as well. They dictated the skin tone, lens colour and texture choices that needed to sync with her costume palette. “Costume and hair and makeup cannot be separated,” Chauhan emphasises. “The look comes alive only when all three, costume, HMU and lighting - work in harmony.”Ranveer’s inputs and a sharp eye for detailChauhan was nervous as she met Ranveer Singh for the first time while working on the movie. However, she says that the actor immediately put her at ease. But Singh was far from a passive participant. He dissected materials, cuts and accessories with precision. He’d ask, ‘Why linen? Why not silk? Why this jewellery? Why this structure?’ According to the designer, his questions pushed her to have solid answers.Smriti also shares, “And when you have the answers, it gives you more clarity. So with Ranveer, he ensured that he helps the two of us get clarity on the character. He also added some technical bits. He asked me to add a wire on the collar so that it stays like that when he is moving around.” Ranveer’s physical transformationOne of the biggest challenges for Chauhan’s team was designing for a body that kept changing. Ranveer bulked up for a portion of the film and then shed weight rapidly for another. “We had to ensure that with every change in his body, the clothes didn’t show that change... The look had to stay consistent,” she shares.The character evolves from a street nobody to someone big. The costumes had to mirror his transformation. Initially, his look is rooted in ruggedness. “So all of this came together working very closely with him. We understood which materials are working the best and which is looking rugged. His entire journey in this film is like that of a nobody becoming somebody, like really big. So that journey itself was grand.” The nightmare of action-friendly jewelleryLater, as the character rises in stature, accessories become key. Ironically, Chauhan had laughed off Ranveer’s early questions about accessories because of the heavy action sequences. But he persisted. “Cut to the first sequence in the teaser - he is loaded in accessories. I can tell you this, I’ll throw a rug on him and he’ll carry it with perfection. The next thing you know is that we have added so many accessories on him,” she adds.As the film is packed with lengthy action sequences, some shot over 10 to 12 days, Chauhan’s team had to create silicon jewellery that looked real but wouldn’t injure the actor or break under impact. “It was a nightmare but became necessary.” The Balochi salwar challengeOne of the film’s most technically challenging pieces was the traditional Balochi salwar. The authentic garment uses 30 to 40 metres of fabric, which is impossible for action scenes. Instead, Chauhan’s team created prototypes using 17 to 20 metres. They experimented with fabric weight, fall, pleats and movement. “We kept making so many prototypes. When he wore it, it looked less; when we spread it out, it was huge. Overall, it was a massive learning experience,” she recalls.Months of prep, presentations and look testsThe team spent two to three months preparing Ranveer’s looks. They went through six different presentation decks and multiple iterations for each phase of his journey. Three comprehensive look tests were done even before shooting. Moreover, sudden scheduling changes accelerated everything. “We thought we’d shoot in October, but suddenly the shoot got pulled to July. We were like, ‘What?’ But luckily we had done early homework,” she recalls.The moment Ranveer called her a ‘Rockstar’Chauhan recalls one of her most overwhelming moments when Ranveer looked at the first major look test and told her he’d “never seen this level of detailing.” “Coming from someone who’s worked with the greatest designers worldwide, it meant the world. It pushed me to raise my own bar,” she says.Despite the scale, the pressure and the physicality of the film, Chauhan says Ranveer’s collaborative nature made the process smooth. “He is the best team player I could have asked for. His encouragement, his curiosity, his involvement - everything helped build the character’s world,” she quips.Also Read: Sara Arjun gives Dhurandhar co-star Ranveer Singh a moving tribute as she shares BTS photos。

二 | 按照省委统一部署，9月24日，省政协主席周波来到新抚区信访局，就深入学习贯彻习近平总书记关于加强和改进人民信访工作的重要思想，进一步落实《信访工作条例》要求进行调研，并接待来访群众，督促和推动信访矛盾纠纷化解。市委书记高键、市政协主席于万军分别参加座谈调研。

三 | 　　周波来到新抚区信访大厅，实地调研信访大厅建设情况，详细了解群众接访、来信办理等流程。在新抚区政府一楼会议室，周波热情接待来访群众，认真听取他们反映的危楼群体住房安置等问题，了解相关部门办理进展，现场研究解决方案，逐一耐心给予回应。

四 | 他指出，要坚持以人民为中心的发展思想，牢固树立群众观念，积极回应群众诉求，实事求是、依法依规，切实维护群众合法权益。　　周波主持召开信访工作座谈会，听取新抚区信访工作总体情况和包案情况介绍。

五 | 他指出，全省上下正在深入学习贯彻党的二十届三中全会精神，要牢牢把握全面推进信访工作法治化重点任务和关键环节，将全会精神落实到信访工作实践中。要提高政治站位，切实把为民解难、为党分忧的政治责任扛起来，坚持和发展新时代“枫桥经验”，各职能部门配合联动，主动摸排问题，抓早、抓小、抓苗头。要坚持法治思维，依法办理信访工作，维护信访秩序，按照“五化”“四到位”工作要求，不断提高信访工作治理能效。要带着感情和责任开展信访工作，畅通信访渠道，关口前移、重心下移，做到问题不积累、矛盾不升级。改进作风，虚心接受群众监督，用心用情用力把信访工作做到群众心坎上，以高质量的信访工作为全省社会大局安全稳定作出积极贡献。

六 | 　　高键表示，抚顺将深入贯彻习近平总书记关于加强和改进人民信访工作的重要思想，落实省委、省政府工作要求，不断增强做好新时代信访工作的责任感、使命感，坚持和发展新时代“枫桥经验”，严格落实领导干部接访、下访、约访、包案等制度，直面矛盾焦点，精准把握政策，研究解决办法，全力提升信访工作水平，为打好打赢攻坚之年攻坚之战提供坚强保障。　　市委常委、政法委书记、社会工作部部长宋一甲陪同调研。